Category Archives: General News

Out with the OLD, in with the NEW FADS BUILDING

I have to admit, this was a hectic, stressful move. The timeframe, the time of year, and …well…just the TIMING. But it’s slowly coming together.  Here’s a small glimpse into the last month of transitioning from ATB to the new FADS building.

 

 

The empty “old” Ceramics Studio, ATB 111.
Haunting shell of a room.
You learn skills, like removing burner systems.

 

Lots of stuff to organize and pack…2 1/2 weeks before Spring 2019 classes start.
About two weeks before classes started. The hallway of the old ATB Building.
FADS Ceramics studio. About a week before classes started.

 

Andrew Schell and Wil Installing the first show in the FADS building.

 

Mark Cowardin, Chair of Fine Arts, Photo and Film, installs his sculpture in the New FADS building.

 

Evening shot of the building.
Color starts to pop on the white walls

 

 

A COOL Collaboration between Ceramics and Painting Classes

When Misha Kligman offered up his Painting I and II students to paint bowls for the Empty Bowls event (taking place in Nov., 2017), it was an opportunity that couldn’t be passed up. So Laura Gascogne and some Ceramics students made “blank” bowls and passed the bisqued bowls on to Misha. …and the results were stunning!

Bowls in the kiln
The gorgeous Bowls Finished! Courtesy of Misha Kligman’s Painting students!

Here are some of the individual bowls:

Angelica Sandoval’s Awesome Sculpture Class Metal CASTING

Casting via the Ceramic Shell process

Photo credits: Barbara Sullivan

One of the truly exciting experiences for JCCC students in Sculpture is the casting process.

This intricate, multifold process starts with an idea, which then the student makes a “positive” of using microcrystalline wax. Once made, a wax “sprue” (channel for the metal) is attached. The entire solid piece of wax is then dipped multiple times into a silica slurry, which builds up a “ceramic shell” around the wax. After the shell has dried, it is fired and the wax is steamed/ melted out, leaving a void in which a metal is then poured, such as aluminum or bronze. The shell is then chipped away, leaving the “positive” metal piece, whereby the sprue is removed and the sculpture is cleaned.

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Angelica stands with her Sculpture students donning all the necessary safety gear in preparation for a “pour”.
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Before removing the crucible from the furnace, Angelica skims a mucky “slag” or waste from the top. Leaving dirty slag can cause ugly pitting in castings.
(Above) Angelica Sandoval and a student lift a crucible full of molten aluminum out of the furnace prior to casting.

 

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(Above) Molten aluminum is carefully poured into the ceramic shells, which are packed in sand to prevent cracking.

 

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The crucible is attached to a hoist/ crane which makes lifting the heavy crucible more manageable.