Publications

MONOGRAPH

Virtuosity in the Age of Electronic Media: Music, Labor, and Skill. Under contract with Palgrave Macmillan.

EDITED VOLUME

Oxford Handbook of the Phenomenology of Music Cultures. Edited by Harris M. Berger, Friedlind Riedel, and David VanderHamm. New York: Oxford University Press. https://10.1093/oxfordhb/9780190693879.013.13

PEER-REVIEWED ARTICLES AND CHAPTERS

“Phenomenological Approaches in the History of Ethnomusicology,” co-authored with Harris Berger and Friedlind Riedel. In Oxford Handbook of the Phenomenology of Music Cultures. Edited by Harris M. Berger, Friedlind Riedel, and David VanderHamm. New York: Oxford University Press. In Press. https://doi.org/10.1093/oxfordhb/9780190693879.001.0001

“Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill,” in Oxford Handbooks Online. Edited by Harris M. Berger, Friedlind Riedel, and David VanderHamm. New York: Oxford University Press. https://10.1093/oxfordhb/9780190693879.013.13

“‘All those Homes Beyond the Microphone’: Advertising, Domesticity, and Early Country Music Variety Programs in the 1930s,” in Oxford Handbook of Music and Advertising,edited by James Deaville, Ron Rodman, and Siu-Lan Tan, 336–351. New York: Oxford University Press, 2021. https://www.doi.org/10.1093/oxfordhb/9780190691240.013.43

“‘I’m Just an Armless Guitarist’: Tony Melendez, Disability, and the Social Construction of Virtuosity.” Journal of the Society for American Music 14, no. 3 (August 2020): 280­–307. https://doi.org/10.1017/S1752196320000206

“Simple Shaker Folk: Appropriation, American Identity, and Appalachian Spring,” American Music 36, no. 4 (Winter 2018): 507-526. http://muse.jhu.edu/article/715974

“Virtuosity/Virtuoso.” In Oxford Bibliographies in Music. Ed. Bruce Gustafson. New York: Oxford University Press, January 2018. http://doi.org/10.1093/OBO/9780199757824-0236

  • In 2021, Oxford Bibliographies in Music highlighted this entry as one of their 10 most popular

“Preserving Heritage, Fostering Change: Accidental Archives in Country Music and Hip-Hop,” co-authored with Mark Katz, Public Historian 37, no. 4 (November 2015): 32–46. http://doi.org/10.1525/tph.2015.37.4.32

BOOK REVIEWS

Review of Timothy Taylor, The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Journal of the Society for American Music 10, no. 2 (May 2016): 226–28. http://doi.org/10.1017/S1752196316000146

Review of Jessica Wiskus, The Rhythm of Thought: Art, Literature, and Music after Merleau-Ponty. In MAKE: A Literary Magazine, http://makemag.com/review-the-rhythm-of-thought-by-jessica-wiskus/.

Review of Kathleen Marie Higgins, The Music Between Us: Is Music a Universal Language? In MAKE: A Literary Magazine, http://makemag.com/review-the-music-between-us-by-kathleen-marie-higgins/.

Review of Maggie Andrews, Domesticating the Airwaves: Broadcasting, Domesticity and Femininity. In MAKE: A Literary Magazine, http://makemag.com/review-domesticating-the-airwaves-andrews/.