Judith Shea, Between Thought and Feeling

A sculpture that is sometimes overlooked on campus because of its location tucked between the Library and the Classroom and Lab Building, Judith Shea’s Between Thought and Feeling offers a quiet moment of reflection for those who stop to look.

Judith Shea (b. 1948)
Between Thought and Feeling, 1988
Bronze and cast stone

The artists website here: Judith Shea

An essay on the piece by KU Art History Professor David Cateforis: Judith Shea essay by David Cateforis

An article here in artforum that discusses her work and also specifically addresses this sculpture: JUDITH SHEA’S CONTEMPORARY KOREA (artforum.com)

A quote from the article linked above: “In Between Thought and Feeling, 1988, the same bronze sheath form—more clearly than ever identified with the artist—again sits Madonna-like on a large cube, holding an antique head of Alexander the Great that springs up like a phallus from her lap. This once-powerful male ruler is decapitated, however, reduced here to an item of display subordinate to the maternal figure. Here it is the artist/mother who has both mastered and assimilated the past, which can now be offered lovingly but somewhat poignantly as a kind of trophy.”

Zielinski sculpture on campus fully installed once more!

You may have noticed that in the last year the Andrzej Zieliński sculpture on campus, ὀμφαλός (Omphalos) Syndrome (2017), was incomplete – the wooden slab at the top and center of the sculpture was missing. This was due to an ongoing restoration effort to install the wooden portion such that it will be highly resistant to wind (this is something we need to be mindful of in Kansas!) The museum’s preparatory team re-installed the wooden portion of the work with a new system securing it to the stone base so that it will now stand the test of time – and 50mph winds!

Check it out next time you are over on that side of campus, near the sports fields and just outside the Career and Technical Education Center (CTEC) building.

The title here ὀμφαλός (Omphalos) Syndrome references the belief (perhaps misguided) that a place of geopolitical power is the most important place in the world. Among the Ancient Greeks, it was believed that the city of Delphi held this central significance. According to myth, Zeus placed the sacred omphalos stone at Delphi, designating it as the center of the Earth. In this sculpture, the wooden slap is placed perpendicular to the large stone base that is perched atop a tangle of bright green metal zigzag lines. Technology is a common theme in Zielinski’s work, and here the arrangement of the parts of the sculpture could suggest a laptop with the screen open and the green maze of lines representing the electrical signals conveying information to and from the device. Is Zielinski suggesting that our devices have become portals to the most significant ‘place’ in our current moment – the online world?

For more information about Zielinski and his inspirations, check out the exhibition page from his 2015 solo exhibition at the Nerman Museum:  Andrzej Zielinski · Open Sourced | Nerman Museum of Contemporary Art

Galileo’s Garden Noon at the Nerman Presentation

The Nerman Museum, alongside Johnson County Community College’s Art History department , hosts the Noon At The Nerman series. Noon at the Nerman is a weekly interdisciplinary program examining works of art on view at the Nerman Museum of Contemporary Art or on campus. Students and staff gather at the museum or at other locations around the campus on select Wednesdays at noon, then go to a specific artwork to hear a JCCC  faculty or staff member speak briefly on that work of art.

Listen to Doug Patterson’s Noon at the Nerman Presentation about Dale Eldred’s Galileo’s Garden.

During the talk about, Dr. Patterson’s referenced Prof. Paul Tebbe’s work with the analemma. Since then, they have uncovered a video Prof. Tebbe’s public talk demonstrating the analemma and the overlay he and his students made for the sculpture.

Information on this post was adapted from JCCC’s Astronomy blog.