Antony Gormley Still Standing

Antony Gormley – Artist Website

The work by Antony Gormley in the JCCC Student Center has been on view since long before the museum opened. It’s quiet and stoic presence is sometimes easy to overlook. Take a few minutes to consider this work and its placement. Note that the work is solid and weighs 1,290 lbs (585 kilos)!

Video of some of Antony Gormley’s works in nature:

Article about Antony Gormley in the New York Times: An Indoor Sea and Miles of Metalwork: Antony Gormley’s Crowning Moment

Caroline Monnet work now on view!

Sometimes it seems like here at the museum if you blink an artwork will change! We have had several works get swapped out in the museum’s permanent collection galleries recently, and most recently the giant painting by Dustin Pevey was taken down and replaced with a large work by Caroline Monnet.

The label copy:

Caroline Monnet (b. 1985)
Lungs, 2023
Polyethylene, fiberglass insulation, and thread
Collection Nerman Museum of Contemporary Art, 2024.025, Gift of the Jedel Family Foundation

Lungs, with geometric designs in hot pink and red hues winding throughout a ground of soft pink, evokes organs filamented with veins and arteries. The format, a decoratively stitched textile, recalls handcrafted domestic objects such as quilts. Yet the materials, fiberglass insulation sandwiched between plastic sheeting, have associations with home construction. Fiberglass is also a material that can be harmful to respiratory health if handled without protective equipment. In juxtaposing these contrasting elements and associations, Monnet subtly references issues around the enduring impacts of colonialism on many facets of life, from health to housing security, for Indigenous communities in North America today.

Monnet has B.A in communications and sociology from the University of Ottawa and has studied at the University of Granada in Spain.

The work is located in the Lieberman Gallery just across from the sculpture works by vanessa german, and adjacent to the sculpture by Jeffrey Gibson.

About the artist:

Caroline Monnet (Anishinaabe-French, born in 1985, Ottawa, Canada) is a multidisciplinary artist from Outaouais, Canada. She studied sociology and communication at the University of Ottawa and the University of Granada before working in visual arts and film.

Caroline’s work has been viewed at the Palais de Tokyo, Paris; Haus der Kulturen der Welt, Berlin; the Toronto International Film Festival, Toronto; Cannes Film Festival, Cannes; the Whitney Biennial, New York; and the National Gallery of Canada, Ottawa. She is a recipient of the 2021 Hopper Prize; the 2020 Pierre-Ayot Award; the 2020 Sobey Art Award; and the 2017 Hnatyshyn Foundation REVEAL Indigenous Art Awards.

At the heart of her practice is the communication of complex ideas about Aboriginal identity and bicultural life through the examination of cultural histories. Her work is often minimalist, yet emotionally charged, and speaks to the complex realities of Aboriginal peoples today. Her works combine the vocabulary of popular and traditional visual cultures with the tropes of modernist abstraction to create unique hybrid forms.

The artist also makes works in clothing, sculpture, film and photography.

JoAnne Northrup, Executive Director of the Nerman Museum said, “Lungs, is exceptionally large and has a powerful presence. It will be a fantastic addition to the Nerman Museum’s existing collection of works by contemporary Indigenous artists, including Raven Half Moon and Teresa Baker.”

An interesting article about Monnet’s series of works: Caroline Monnet’s Indigenous Worldbuilding (hyperallergic.com)

A quote from the above article: “The structures she makes help Monnet reclaim space and agency. “[The installation structures] were a way for me to speak about the housing crisis that a lot of Indigenous communities across North America are facing,” she told me. The geometric repetition of the works gives way to visual readings that recall maps, digital codes, and precise mark-making — situating the work both within long-running cultural practices and future realities.”

Angel Otero discusses his art and technique in PBS NewsHour video

Angel Otero (b. 1981), Let Water Run, 2009, Oil on canvas

Angel Otero discusses his art and techinique in this PBS NewsHour video:

The Nerman Museum owns two other works by Angel Otero, 10 Karat Still Life, which was featured in Adorned in 2022-2023, and Blindness.

Angel Otero, 10 Karat Still Life, 2009, Oil on linen

Angel Otero, Blindness, 2011, Oil on canvas

 

 

 

 

 

 

You can also learn more about Otero’s works through his website and his artist page on Hauser & Wirth.

Linda Besemer Resources

Linda Besemer (b. 1957), Fold #84, 2002, Acrylic on aluminum rod

The Carolyn Campagna Kleefeld Contemporary Art Museum in Long Beach, California, created a publication entitled “Linda Besemer: StrokeRollFoldSheetSlabGlitch,” named after Linda Besemer’s 2022 exhibition by the same name.

StrokeRollFoldSheetSlabGlitch is the first survey of works by Los Angeles-based artist Linda Besemer. This exhibition emphasizes Besemer’s ongoing commitment to exploring alterity through conscious “othering” of abstraction and reflects upon the artist’s search for new meaning in painting over the past thirty-five years. Featuring twenty-three works produced between 1993–2021, the exhibition showcases key moments in Besemer’s career, taking visitors on a journey through the evolution of their practice, starting with early traditional gestural abstraction, exploring their “detachables” works, and culminating with their most recent glitch series. Visitors are also invited to delve into Besemer’s process and explore a collection of the artist’s maquettes, annotated drawings, and gouache color studies.”

The Nerman Museum has this publication in their Art Education Library. If you are interested in further exploring her body of work, schedule a time to stop by via email at tours@nermanmuseum.org, or, if you are JCCC Staff or Faculty, or a Nerman Museum docent, you can also check out the book for up to two weeks! You can also learn more about her artworks on Besemer’s website.

A different work by Besemer was also featured in the Nerman Museum’s queer abstraction exhibition, which was named one of the top 16-thought provoking exhibitions to visit in 2020.

Ding Shilun’s work in the museum lobby

Since Ding Shilun’s work, The Expulsion, was placed in the lobby a little less than a month ago we’ve been enjoying exploring the many intricacies and nuances of the painting. It is a great piece to spend some extended time with!

For more information about the artist, there’s an interview in W Magazine: Artist Ding Shilun Makes His Own Mythology (wmagazine.com)

and the gallery website features lots more information, including some videos of the artist speaking about his work: Ding Shilun – Video | Bernheim (bernheimgallery.com)

Ding Shilun (b. 1998), The Expulsion, 2022, Oil on canvas

Joel Daniel Phillips’s work in Kansas Focus Gallery

We were so pleased to have Joel Daniel Phillips come speak at the museum on Aug 9th, and video of his talk is now available:

 

In his talk he mentions the book that is associated with his Killing the Negative series, a book he worked on in collaboration with another artist, poet Quraysh Ali Lansana. I have a copy of this book available in our Education Library now, volunteers may check it out!

Artist Website: JOEL DANIEL PHILLIPS

“Killing the Negative: A Conversation in Art & Verse” – this is the book in our library

Edgar Heap of Birds sculpture in Kansas Focus Gallery

It is very exciting to have Edgar Heap of Birds’ work on view now in the Kansas Focus Gallery – what could be a more appropriate location for this work than a gallery that is itself named for the land that we’re situated in.

The works in Kansas Focus Gallery do not always relate specifically to the Kansas landscape or anything thematically associated with Kansas, rather the artist have an association with Kansas in some way (they were born, raised, went to school or lived in Kansas at some point).

In this case however, the exhibition currently on view in that space is drawing our attention to our relationship with the landscape itself, with the environment and peoples who have existed in this place and continue to do so. Learn more about Edgar Heap of Birds’ Native Host sign series:

 

Edgar Heap of Birds | (eheapofbirds.com)

Art Vision tour program continues to serve JCCC healthcare students

Katherine leading JCCC nursing student tour

We had a blast leading tours for JCCC Nursing students yesterday evening, continuing our tour programming specifically designed for healthcare professionals to help them hone their observational skill through looking at art.

We’ve hosted many Art Vision tours and programs over the years, if you haven’t had a chance to attend or lead a tour, here is some additional information you can check out:

Art Vision symposium guest speaker M. Jordan Love: watch video

University of South Florida, Contemporary Art Museum: watch video

Yale Center for British Art and dermatology: watch video

Artist Bridget Stewart: Observation Mindfulness PDF

Art21 Video Resources

Did you know that the popular series Art21 features numerous videos about artists in the Nerman Museum’s collection? There are videos about artists Louise Bourgeois, Nick Cave, Do Ho Suh, Keltie Ferris, Kerry James Marshall, Arlene Shechet and more.

Amy Sillman: To Abstract | Art21

New this week there is a video about Amy Sillman, an artist whose work, Elephant, is often feature on tours at the museum. Check it out!