Eric-Paul Riege makes fiber artworks that draw upon his Diné upbringing and the worldview of hózhó, which conveys a web of physical, mental, and spiritual life. In this work, organic materials and mass-produced, store-bought products seamlessly interact to create animated works of contemporary vitality that are a testament to the aliveness of tradition. The handmade sheep is a potent symbol for the artist, as the U.S. government’s policies have long decimated the sheep population which had acted as a source of livelihood, a weaving resource, and held ceremonial significance for Diné (meaning “the people” in the Navajo language). In his work, Riege grapples with the complex interactions between personal and political discourse, while keeping his familial practices of weaving and jewelry-making strong in the emblematic textile piece.
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The video below showcases a Weaving Dance Durational Performance by Riege for the the Institute of Contemporary Art, Miami, which was part of his Hólǫ́—it xistz exhibition in 2019.
Riege’s work is featured in Actions for the Earth: Art, Care & Ecology.