vanessa german’s ET AL, or The Child Plaintiffs as Power-figures

We have had such a wonderful time leading tours that focus on the theme of Materials in Art. The ‘big idea’ we explore on these tours is that artists make thoughtful choices about the materials to use to make their work, and the materials they choose add meaning to the work. There is no better example of this than the wonderful piece by vanessa german, ET AL, or The Child Plaintiffs as Power-figures: Courage and Play,
Love and Hope, Grace and Compassion, Will and Might, Serenity
and Music, Light and Joy, Warrior and Intellect, Creativity and
Vision, 2024.

When we discuss this work, we dive into the materials list that vanessa wrote, reading directly from her list that reads like a poem:

“Love and research, plaster, wood, wood glue, plaster gauze, rage,
wire, multiple conversations with historians Sherrita Camp and
Donna Rae Pearson, tears, shock and the understanding that
these children made a new world, auto body paint, pedestals so
tall that the figures MUST be looked up to, love, prayer for a
crack in the world to bleed new light, ceramic and porcelain birds
and figures as finials, cloth, twine, strands of beads, buttons,
keys put together by the community of Topeka: the beads are an
acknowledgement of our African Ancestry and the wealth, power
and creative force of Africa in relationship to the crime of stealing
African bodies to build a new world in which the descendants of
enslaved Africans have continued to be systemically, strategically,
tragically dehumanized, stomped on and denied full access to true
liberty. The buttons speak to the power of MENDING — for how many
of our mothers, aunties, and homemakers had a button box,
knowing that it is always possible to find a button that fits the
missing space into a mending. The keys are forgiveness — internal
and external forgiveness.”

Initially we tried reading the whole materials lists to our student groups but found that was a bit daunting, so have moved to reading selections interspersed with some open-ended and really thought-provoking questions.

Materials in Art 2025 vanessa german

We also show a photo of the children who were the child plaintiffs in the Brown v. Board case, one of the same photos that is on the wall label itself: Students of Brown v. Board

vanessa german quote regarding ET AL … sculpture

I had the wonderful and unexpected opportunity to chat with vanessa german on the phone yesterday and was able to ask her some questions specifically about the work that we have on view in the museum now. I wasn’t able to record our conversation, but took notes, and was able to jot down some direct quotes.

I asked vanessa about the birds on the heads of the figures and what the symbolism might be and she pointed out that one figure doesn’t have a bird but instead an angel  figure that represents the muse of love – a love that is all encompassing, love that is for the wholeness of your being (your strengths, fears, joys and sorrows) that covers all of the figures.

For the birds, she said that as beings that are part of the natural world they are totally aligned with their insticts and take flight with full sovereignty and as creatures of flight they experience a kind of freedom that others don’t. She said “these are children who made it possible for other children to soar.” 

vg_Craving Light essays

Lastly she noted that birds symbolize liberty, and she quoted abolitionist Henry Ward Beecher “Liberty is the soul’s right to breathe and, when it cannot take a long breath, laws are girdled too tight.”

Henry Ward Beecher – Wikipedia

vanessa german sculpture now on view at the Nerman Museum

We are so excited to now have a work by the amazing artist vanessa german on view in the museum’s second floor galleries. The work, titled ET AL, or The Child Plaintiffs as Power-figures: Courage and Play, Love and Hope, Grace and Compassion, Will and Might, Serenity and Music, Light and Joy, Warrior and Intellect, Creativity and
Vision, is from an exhibition that reflects on the 70th anniversary of the Brown v. Board of Education Topeka court case.

That exhibition, CRAVING LIGHT: The Museum of Love and Reckoning, was commissioned by ArtsConnect and considers the legacies of that 1954 Supreme Court case declaring segregation in schools unconstitutional. Additional selections from this exhibition are on view at the Mulvane Art Museum at Washburn University, the
Brown v. Board National Historical Park Site, and the Great Overland Station, all in Topeka, through 2024.

Learn more about vanessa’s work:

For vanessa german, ‘Citizen Artist,’ Creativity Is a Matter of Survival – The New York Times (nytimes.com)

We are still working on getting the label on the wall (the installation was just completed late yesterday!), here is a PDF of that:

vanessa german wall label (PDF)